Eventide Omnipressor 3.6.0 破解版 – 音频动态处理

Eventide Omnipressor 3.6.0 破解版 – 音频动态处理

具有态度的动力处理器! Omnipressor®于1970年代初问世,是第一款各种动态效果处理器。 Omnipresssor最初由Eventide的创始人Richard Factor发明(后来由John Paul重新设计生产),使许多效果成为可能。它具有动态修改各个方面的变量控制功能。它还介绍了“侧链”的概念和今天我们已视为理所当然的预言技术,例如“向前看”处理

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Eventide Omnipressor 3.6.0 破解版 – 音频动态处理
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具有态度的动力处理器! Omnipressor®于1970年代初问世,是第一款各种动态效果处理器。 Omnipresssor最初由Eventide的创始人Richard Factor发明(后来由John Paul重新设计生产),使许多效果成为可能。它具有动态修改各个方面的变量控制功能。它还介绍了“侧链”的概念和今天我们已视为理所当然的预言技术,例如“向前看”处理。 Omnipressor插件是对“黑脸”单元的忠实模拟,并在世界上一些领先的生产商和工程师中广受欢迎,它是一种动态修改器,具有对信号动力学各个方面进行可变表达控制。通过功能控件,您可以在从极端扩展到无限压缩甚至更大范围的连续范围内设置压缩比和扩展比–动态反转可颠倒声音的包络,使响亮的声音变得安静而响亮的声音变得安静
Dynamics Processor with Attitude! Introduced in the early 1970s, the Omnipressor® was the first dynamics effects processor of any kind. Originally invented by Eventide’s founder, Richard Factor (and later redesigned for production by John Paul), the Omnipresssor made a host of effects possible. It featured variable control of all aspects of dynamic modification. It also introduced the notion of the ‘side chain’ and foretold techniques that today we take for granted like ‘look ahead’ processing. The Omnipressor plug-in is a faithful emulation of the “black-face” unit and is popular among some of the world’s leading producers and engineers as a dynamics-modifier with variable expressive controls of all aspects of a signal’s dynamics. The Function control allows you to set compression and expansion ratios over a wide, continuous range from extreme expansion to infinite compression and beyond – dynamic reversal which reverses a sound’s envelope, making loud sounds quiet and quiet sounds loud.
One of our first customers was a young Brian May, lead guitarist of Queen. With the Omnipressor in his rig, his sound was never the same again.
Features
– Dynamics processing for creating otherwordly sounds
– Variable control of attack and release time
– Variable control of maximum gain and maximum attenuation
– Function control sets ratio over a continuous range from extreme expansion to infinite compression and beyond to dynamic reversal
– Gating: Set a threshhold and signals whose amplitudes fall below the threshhold value are ‘squooshed’
– Expansion: Widen a signal’s dynamic range. Loud gets louder, soft gets softer
– Compression: Variable control of compression ratio
– Infinite compression: Obliterates a signal’s dynamics – everything comes out at the same level
– Limiting: Versatile, fast limiter
– Dynamic Reversal: First of its kind. Soft signals come out loud, loud signals come out soft. Simulates tape reversal
– Intuitive interface makes it simple to operate with the use of a function dial
– Dozens of presets to help you explore the unique and inspirational sounds of the tool used on countless hit records
REQ 32 lives for AU 64-Bit
Works with MacOS 10.8.5 up to MacOS 10.14.6
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